It was not a purer realm that loomed vastly over the city. Smokestacks punctured the membrane between the land and the air and disgorged tons of poisonous smog into that upper world as if out of spite. In a thicker, stinking haze just above the rooftops, the detritus from a million low chimneys eddied together. Crematoria vented into the airborne ashes of wills burnt by jealous executors, which mixed with coaldust burnt to keep dying lovers warm. Thousands of sordid smoke-ghosts wrapped New Crobuzon in a stench that suffocated like guilt.
The clouds swirled in the city’s filthy microclimate. It seemed as if all of New Crobuzon’s weather was formed by a massive, gradual crawling hurricane that centred around the city’s heart, the enormous mongrel building that squatted at the core of the commercial zone known as The Crow, the coagulate of miles of railway line and years of architectural styles and violations: Perdido Street Station.China Miéville, Perdido Street Station (2000), p78
Cover by Edward Miller